A challenge had been issued: “Find
the past!” Most records had disappeared. The ones that survived were not worth
the DNA they were printed on. The reasons for the body count—which, each year,
grew by exponential leaps—were as variable as was the scale and appearance of
the labyrinth. Some claimed that the labyrinth was actually just a concrete
pillbox bunker, left over from the days of World War II, whose iron doors,
streaked with salt, had long ago rusted shut. On one door: a large eye beneath
a pair of horns, and on the other one: an octopus. Perched on a plateau, the
complex gave access to a 360-degree view, and there were “wheel tracks,” cut
deep into the stone, which led from it in a network of straight lines to the
beach, and then continued on, straight down through the surf and down into the
depths. Every seven years, of course, would come the drawing of the lots,
though few had ever met the occult corporatists who would materialize to serve
as judges on the pageant, and the doors never did appear to open or to close.
Hoarse bellowing had flown across
the black waves of the ocean. Foam had gathered on the lips of the scrunched-up
bundle of omnipotence. His eyes rolled, striking fear into the hearts of even
those in the inner circle. Was there some way to distinguish between a tantrum
and a seizure, some method marked with the thumbprint of the Ancients, some
safe way to harness the convulsions of the beast? This issue was a source of
ongoing speculation among the Long-Skulled Seers of the Federal Reserve, yet
both of these phenomena had pointed towards one end. It was feeding time. The
technology that had been meant to keep the monster in had instead provided him
with access to fresh victims, who were even less able than he was to escape.
Continue reading at Scene4:
https://www.scene4.com/0623/briangeorge0623.html
My first book of essays, Masks of Origin: Regression in the
Service of Omnipotence, is now available through Untimely Books:
https://untimelybooks.com/praise-page/masks-of-origin/
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